Lilac + Sun Yellow textured pots

DSCF0006DSCF0009

Three pots here, plant pots (see those drainage holes) made by rolling clay out super-thin and using a pringles tube as a shape template. Playing with pattern here. Inlay again, and texture made by scraping clay out. Both took a long time, but this was the point – take time and make something with a lot of attention to detail. With pottery, I find this hard.

Lilac slip, sun yellow glaze, splattered on Copper Oxide with a toothbrush (needs more of this I think) and Matt Glaze on top of all that. This was a success! I’m finding out more glazings I like.

DSCF0010

 

Fast pot making

LucyBarfootPottery

I notice that everythig I make at my pottery class is fast fast fast. I have  few things on the go, I have a to-do list, I rush things and don’t look at the finer details, I want to get things complete. This is something I’ve been trying to change this term, but turns out, it ain’t working! Not planning m pottery sessions has left me twiddling my thumbs and time-wasting (something I find super-irritating) because I have no plan.

I think for me, the secret is within finding a way to have a plan, but to not rush within it. Don’t over-commit by starting lots of new things at once, but start the term with a few items in mind and devote the sessions to them.

LucyBarfootPottery   LucyBarfootPottery4

These two were made very quickly, by wrapping around a tube. I forget the name for this. The decoration on both did take a long time, using a technique called inlay. Lots of scraping away and digging out. If you don’t smooth it all down after, you get this scraped effect – see it below?

With both pots, I used transparent glaze, which looks crap! And dipped the bottoms in Tin White glaze, which looks equally crap! I like the patterns though. I took some of my drawings and translated it onto pottery, which was exciting. I need to find a way of drawing directly on rather than using the inlay technique though.

See, I’m all about the timesaving. The focus and time needs to be on building the foundations I think. That’s where the skill is.

LucyBarfootPottery

These are both functional, wahey! One is a pen pot and the other, in the bathroom used for tweezers and the like.

Pots with Faces

Hi blog, long time no blog. Here I am! Around Christmas time I got very much into making pots with faces at my pottery class. A great excuse to get on the wheel for the majority of the 12-weeks of the class, with a few sessions of nose-making in-between.

LucyBarfootPottery

My favourite facepot / pothead is this one above. I used crackleglaze and tin white glaze over the top of that, which is a no-no in the world of pottery, nothing goes over crackle! But it made a lovely texture and colour, not dissimilar to a duck egg.

LucyBarfootPottery  LucyBarfootPottery  LucyBarfootPottery

A few of the faces had feet, these were the most popular ones and flew off the shelf when I had a Christmas stall at the Picton Street Fayre to sell them all off.

LucyBarfootPottery  LucyBarfootPottery LucyBarfootPottery

My first play with terracotta, this chap wore his cactii perfectly

LucyBarfootPottery8  LucyBarfootPottery9

Pinch Pots

This blog might well be turning into my pottery log…. A new term of my pottery class has started and I had my first go at the humble pinch pot. A very quick and crude method of vestibule-making. A couple in this batch have fingermarks, which I think looked pretty good, I would like to try the same with a simple white and understated glaze.

I’m trying to get a good knowledge of glazes under my belt – I’m diligently making note of all the varieties of glazings I’m trying out. I have yet to find a combination which I love. I’ll continue with lots of complex scribbled notes in my sketchbooks until I find whatever it is I’m looking for.

I jumped on the wheel this week and made three quite well-centred pots. Not bad for not having been on that wheel for a good 5 months. Here are my pinch pots… I made holes in the bottom using my favourite tool, that’s so they they can become mini flower pots.

LucyBarfootPottery

LucyBarfootPottery7

LucyBarfootPottery6  LucyBarfootPottery5  LucyBarfootPottery4  LucyBarfootPottery8

LucyBarfootPottery10LucyBarfootPottery9

And finally, this wouldn’t be a pottery post without a mention of the teeth. I’m making a few every week, enjoying the three-step process,  with my pottery course once a week, each stage takes a week to complete, and I have many teeth on the go at once:

1) Sculpt tooth shape > leave to dry

2) Smooth tooth with wet sponge and fire > tooth gets fired in kiln

3) glaze the fired tooth > tooth gets re-fired

4) One complete tooth!

LucyBarfootPottery2

We have a project to complete this term – ‘Cornucopia: the Horn of Plenty’. This involves writing Haikus and creating a ‘fantastical form for fabulous foods’ for the celebratory feast to mark Potstop‘s 20th anniversary.

We’ll be inscribing the haiku on the form, and it will contain one of our favourite foods. I’m making a wide-open jaw, complete with teeth, holding fizzy sherbet-y sweets and a few gobstoppers. It’s going to be reminiscent of that bit in Beetlejuice when the bowls come to life.

Beetlejuice bowl

BUT less scary. This reminds me of wonderful Harry Belafonte. Remember the song in that scene – ‘Banana Boat Song (Day O)’? It’s a cracker. So I’ll ending this with his other mega-famous one – Jump in the Line. Bye!