It’s up! It’s full! Come and have a look at my reasonably priced ceramics. http://lucybarfoot.tictail.com
Just moved house, and to dived straight into the project of making a ceramic house number. Scary stuff, flat things are difficult to fire in the kiln, and at a high risk of cracking – especially when it comes to screwing it into the wall.
Paper resist was the technique I used for this, and royal blue works quite nicely with the brick work.
Onwards! To more home-projects!
All my wise men are complete! I was documenting their progress over on My Instagram and I’m happy to say that they all survived the kiln.
Many thanks to Jen at The Village Pottery, who let me work in her lovely studio here in Briz.
Images of the making process:
And here’s a few from my new clan of wise men:
Trying out a new technique with coil-building.
He’s nice isn’t he! A truly one-of-a-kind piece of mine. My glazings do not normally look like this Oceanic blue vase with painterly glazing. I used blue stain, blue paint-on-glaze (applied with a hair-dye application squeezy tool), and blue mottled glaze over the top. I then cleaned off the top, leaving the rim with just a dip of transparent glaze.
This piece is for sale over at Barfoot + Duggan, and mid-feb I’ll be listing all new vases for sale.
Tall and Skinny pots a gogo. Making 5 of these, a set, all as close to being the same as I can manage – something I haven’t done before. Repetitive making satisfies me, and getting these as thin as possible has been my aim. Working with the additional loops, and lots of ideas developing for what’s next. Planning on glazing these with painted on rutile stain, simple white and transparent glaze and possibly splashing out on some antique gold glaze to drizzle. I’ll be updating stage-by-stage so watch this space.
Sold! To the beautiful Leonie! Doesn’t the vase look lovely against her Alce Harfield painting?
Something I couldn’t not do without at the pottery studio is my sketchbook – a record of glazes, processes, what works and what doesn’t. I’m a big fan of keeping note and have got into the habit of making keys for colour and texture.
This is a colour wheel I made. I noted which colour is which, so if i find a shade/overlap of slip and glaze I love, I know what it is. Without this, I find it hard to choose which slips and glazes to use – they are stored in tupperware boxes, and the colour is written on the box but the wet slips only show their colour once fired – it’s like a lottery unless you have a key.
Texture tests! I made this because I want to be adding more texture to things, and i want to be nimble about it, rather than having to wait to experiment with a texture – I did lots of texture experiments all at once, and laid out each texture tool next to the mark it made. I’ll now print this pic out and wack it into my sketchbook.
Cracking on with making lots of these tall and skinny vases, ready exhibiting and selling at the Totterdown Arts Trail 2015, and some Christmas markets too.
Made this coiled pot last term, my first time coiling in ages. First time attaching these loops/bridges/handles too. Glazing – more painted brushstrokes, and a colour palette of lilacy-greys.
I made a mini-swan
New batch of vases coming right up. Trying the same thing over and over to perfect the technique. These vases are getting thinner and thinner and I like it.
Making these little teeth in pottery class is incredibly fulfilling.
Sculpt 3 teeth a week > leave them to be fired.
Week 2 you have 3 teeth to glaze > leave them for their second firing. Sculpt 3 more teeth.
Week 3 you have 3 complete teeth. Glaze 3 more. Sculpt 3 more.
You get the jist.
Mouth pot! This gruesome mouth was part of a ‘Cornucopia’ project, where we had a brief to make a vestibule for our favourite food, to celebrate at the end of term party (and Potstop’s 20th birthday!) The finished piece also had to have a haiku inscribed into it, about that favourite food of yours.
So mine was a big mouth, it held fizzy sweets and sherbets. And now I’m left with a big mouth bowl.
Three pots here, plant pots (see those drainage holes) made by rolling clay out super-thin and using a pringles tube as a shape template. Playing with pattern here. Inlay again, and texture made by scraping clay out. Both took a long time, but this was the point – take time and make something with a lot of attention to detail. With pottery, I find this hard.
Lilac slip, sun yellow glaze, splattered on Copper Oxide with a toothbrush (needs more of this I think) and Matt Glaze on top of all that. This was a success! I’m finding out more glazings I like.
I notice that everythig I make at my pottery class is fast fast fast. I have few things on the go, I have a to-do list, I rush things and don’t look at the finer details, I want to get things complete. This is something I’ve been trying to change this term, but turns out, it ain’t working! Not planning m pottery sessions has left me twiddling my thumbs and time-wasting (something I find super-irritating) because I have no plan.
I think for me, the secret is within finding a way to have a plan, but to not rush within it. Don’t over-commit by starting lots of new things at once, but start the term with a few items in mind and devote the sessions to them.
These two were made very quickly, by wrapping around a tube. I forget the name for this. The decoration on both did take a long time, using a technique called inlay. Lots of scraping away and digging out. If you don’t smooth it all down after, you get this scraped effect – see it below?
With both pots, I used transparent glaze, which looks crap! And dipped the bottoms in Tin White glaze, which looks equally crap! I like the patterns though. I took some of my drawings and translated it onto pottery, which was exciting. I need to find a way of drawing directly on rather than using the inlay technique though.
See, I’m all about the timesaving. The focus and time needs to be on building the foundations I think. That’s where the skill is.
These are both functional, wahey! One is a pen pot and the other, in the bathroom used for tweezers and the like.
I chucked some flowers in the honeycomb / seedpod pot I made, and voila – a vase!
A 69th birthday present for my Dad, a wise head, taking inspiration from Easter Island statues and Imhotep. when you put your hand on his head, it’s like receiving wisdom of luck. Shame he looks like he’s crying though, but thus is the unpredictable nature of glazing and kiln firing!
Hi blog, long time no blog. Here I am! Around Christmas time I got very much into making pots with faces at my pottery class. A great excuse to get on the wheel for the majority of the 12-weeks of the class, with a few sessions of nose-making in-between.
My favourite facepot / pothead is this one above. I used crackleglaze and tin white glaze over the top of that, which is a no-no in the world of pottery, nothing goes over crackle! But it made a lovely texture and colour, not dissimilar to a duck egg.
A few of the faces had feet, these were the most popular ones and flew off the shelf when I had a Christmas stall at the Picton Street Fayre to sell them all off.
My first play with terracotta, this chap wore his cactii perfectly
This blog might well be turning into my pottery log…. A new term of my pottery class has started and I had my first go at the humble pinch pot. A very quick and crude method of vestibule-making. A couple in this batch have fingermarks, which I think looked pretty good, I would like to try the same with a simple white and understated glaze.
I’m trying to get a good knowledge of glazes under my belt – I’m diligently making note of all the varieties of glazings I’m trying out. I have yet to find a combination which I love. I’ll continue with lots of complex scribbled notes in my sketchbooks until I find whatever it is I’m looking for.
I jumped on the wheel this week and made three quite well-centred pots. Not bad for not having been on that wheel for a good 5 months. Here are my pinch pots… I made holes in the bottom using my favourite tool, that’s so they they can become mini flower pots.
And finally, this wouldn’t be a pottery post without a mention of the teeth. I’m making a few every week, enjoying the three-step process, with my pottery course once a week, each stage takes a week to complete, and I have many teeth on the go at once:
1) Sculpt tooth shape > leave to dry
2) Smooth tooth with wet sponge and fire > tooth gets fired in kiln
3) glaze the fired tooth > tooth gets re-fired
4) One complete tooth!
We have a project to complete this term – ‘Cornucopia: the Horn of Plenty’. This involves writing Haikus and creating a ‘fantastical form for fabulous foods’ for the celebratory feast to mark Potstop‘s 20th anniversary.
We’ll be inscribing the haiku on the form, and it will contain one of our favourite foods. I’m making a wide-open jaw, complete with teeth, holding fizzy sherbet-y sweets and a few gobstoppers. It’s going to be reminiscent of that bit in Beetlejuice when the bowls come to life.
BUT less scary. This reminds me of wonderful Harry Belafonte. Remember the song in that scene – ‘Banana Boat Song (Day O)’? It’s a cracker. So I’ll ending this with his other mega-famous one – Jump in the Line. Bye!